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Philosophy of the Arts: An Introduction to Aesthetics

Free Ebook Philosophy of the Arts: An Introduction to Aesthetics

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Review

'The new edition of Philosophy of the Arts provides one of the most comprehensive and pellucid introductions to aesthetics on the market.' - Andy Hamilton, Durham University Reviews of the second edition: '…clear, comprehensive yet philosophically complex.' - Matthew Kieran, University of Leeds '…accessible, wide-ranging and above all engaged.' - Jerrold Levinson, University of Maryland 'Gordon Graham’s book is a delight – urbane and authoritative, accessible to all.' - Peter Lamarque, University of Hull 'An excellent introduction to philosophical aesthetics, which also makes its own distinctive and original contribution to the subject.' - Alex Neill, University of Southampton

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About the Author

GORDON GRAHAM is Regius Professor of Moral Philosophy at the University of Aberdeen. 

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Product details

Paperback: 288 pages

Publisher: Routledge; 3 edition (November 12, 2005)

Language: English

ISBN-10: 0415349796

ISBN-13: 978-0415349796

Product Dimensions:

6.1 x 0.6 x 9.2 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#554,819 in Books (See Top 100 in Books)

There are two excellent reviews of this text already posted here. I will only add my personal experience using it in the classroom. For the last decade this book has been my primary text teaching undergraduate general education courses in aesthetics. I like it for two reasons: 1) Graham takes a stand on normative standards of art and defends that stand. This is very useful in an aesthetics course. Some students accept Grahams position, some reject it, but all benefit from trying their own ideas against Graham's. 2) Graham sets his position in the context of the discussion of actual works of art. This may seem to some an odd bit of praise--that an aesthetics text actually discusses art--but the sad fact is that many textbooks in aesthetics treat the subject so abstractly that actual art objects are rarely mentioned and never given systematic treatment. Graham is not afraid to test his theories against the entire range of art from music to painting to cinema to architecture. This opens the way for class discussion of actual works of art in an aesthetically informed way. I recommend this text.

Can be recommanded to students who are starting to learn the theory of art. One of the best standard textbook in this area. Five stars!

Yasss

Gordon Graham uses the question "what gives art value?" as a way of guiding the reader through a dense and complicated range of issues surrounding art and the distinctive concerns raised by various art forms. This is, I think, a welcome alternative to the more tendentious (and familiar) sets of issues that arise when you ask what counts as art (as opposed, say, to craft or entertainment). Of course the question "what is art?" inevitably comes up here too - and he discusses its centrality to philosophical aesthetics in the final chapter - but it's not Graham's focus.The first few chapters consider and challenge several of the most prominent theses regarding why art is important: because it brings pleasure or entertainment; because it offers the distinctive value of beauty; because it enables the expression and communication of emotion; and because it gives us insight. Graham, ultimately, sides with this last view: that art is valuable because of what it can teach us. He is aware there are other values sustained by art, but argues that the best artworks offer us rich insights into ourselves, in addition to whatever else they have to offer.The remainder of the book considers the distinctive contributions of various traditional art forms, such as music, architecture, painting and performance; along the way it clarifies and qualifies the sense in which art can teach us something. Later chapters give a quick overview of art theory, and consider questions raised by modern forms of art, and by the beauty of the natural world. The book as a whole is pitched at an introductory level, that should be accessible to college-level readers. (I have assigned it in my undergraduate aesthetics course and found it to be clear and comprehensible for students, especially after some discussion.) There are things to argue with here - and (of course) Graham isn't entirely neutral on the debates he discusses. He also, at the same time, appears on occasion to oversimplify some of the material he discusses, to the point where it could easily be misunderstood.In his discussion of expressionism, for example, he claims that R.G. Collingwood is an expressionist, which means he holds that the aim of "art proper" is the expression of emotion. So far, so good. Then he argues that Collingwood effectively oversteps the boundaries of expressionism by claiming that art helps us to understand ourselves, since, Graham argues, the mere expression of emotion can't do this effectively. What he misses is that, for Collingwood, "emotion" is not reducible to a list of ready-made experiential states (like anger or fear or love). If that were true it would, as Graham points out, be hard to understand how a poem like T.S. Eliot's "The Wasteland" (discussed in some detail by Collingwood) could be simultaneously an "expression" of something like "dissatisfaction" or "anxiety" and teach us much about ourselves. But for Collingwood emotion is more like an unreflective or immediate, but at the same time highly specific, understanding of a situation, and to "express" it is to give specific voice to that understanding so that it can be reflected upon and considered and left behind. In that sense, poets and artists can be thought to be rendering determinate or specific an inchoate and situated grasp of the world, in such a way that it can be made public -- given a "face" -- that can be considered and responded to.What is clear is that Graham's primary interest is not so much to give adequate accounts of each thinker he introduces, but rather to use them as interlocutors in an ongoing conversation on the value of art, in which he has his own ideas to develop and explore. In many cases his approach is quite useful and provocative. He uses Nietzsche's contrast between the Apollinian and Dionysian tendencies in art, for example, to illuminate a distinction between a notion of art as an object to be contemplated and as an event to participate in. I found that to be quite helpful for clarifying the contrast and generating discussion.There are other aspects of the book to argue with - his discussion of architecture frames the possibilities in ways that are overly narrow and, as a consequence, suggests (I think wrongly) that someone like the innovative Antoni Gaudi should be thought of more as an open-air sculptor than an architect. Still the value of the book is that it opens a space in which such arguments can take place. It does cover the bases and addresses a wide range of issues in ways that are both clear and generally accurate and precise. Recommended for those who want an overview of some major issues in aesthetics.

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"It is extremely pertinent to any veterinary technician or veterinarian currently working within the field of fin fish medicine and aquaculture." (Oreta M. Samples, DHSc, MPH, VT 2010-02-01)Praise for the first edition: "The book is important for those involved in aquaculture and those wishing to learn more about the effects of non-infectious disorders and the mechanisms of response within fish and thoroughly recommended." (Journal of Fish Diseases)Praise for the first edition:"Brimming with interesting details, the editors have succeeded in providing an extremely informative reference book, which should be widely consulted and appreciated by its target audience." (Fish and Fisheries)

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About the Author

John F. Leatherland is at the University of Guelph.

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Series: Fish Diseases and Disorders (Book 2)

Hardcover: 400 pages

Publisher: CABI; 2 edition (May 18, 2010)

Language: English

ISBN-10: 1845935535

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Print Length: 304 pages

Publisher: For Dummies; 1 edition (November 30, 2018)

Publication Date: November 30, 2018

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Get Free Ebook To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret, by Jedidiah Jenkins

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“A thrilling, tender, utterly absorbing book. With winning candor, Jedidiah Jenkins takes us with him as he bicycles across two continents and delves deeply into his own beautiful heart. We laugh. We cry. We feel the glory and the agony of his adventure; the monotony and the magic; the grace and the grit. Every page of this book made me ache to know what happened next. Every chapter shimmered with truth. It’s an unforgettable debut.”—Cheryl Strayed, author of Wild and Tiny Beautiful Things“Jenkins’ words are brutally honest and leave me thinking a little deeper about my own observations when I pass a stranger on a street or see a flower blooming on a rocky trail.” —Outside Magazine"Thought-provoking and inspirational . . . This uplifting memoir and travelogue will remind readers of the power of movement for the body and the soul."—Publishers Weekly   “Jedidiah Jenkins is a storyteller. He’s also an adventurer, a connoisseur of good pourovers, an avid Instagram user, a startup co-founder, and one of those humans that makes everything about them seem inviting.” —USA Today   “[Jenkins is] a guy deeply connected to his personal truth and just so refreshingly present.” —Rich Roll, author of Finding Ultra   “This is much more than a book about a bike ride. This is a deep soul deepening us. Jedidiah Jenkins is a mystic disguised as a millennial.”  —Tom Shadyac, author of Life’s Operating Manual

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About the Author

Jedidiah Jenkins is a travel writer, entrepreneur, and Instagram personality. A graduate of USC and Pepperdine University School of Law, Jenkins began his professional career with the nonprofit Invisible Children, where he helped orchestrate multinational campaigns to end the use of child soldiers in central Africa. His parents, Peter and Barbara Jenkins, are the authors of the bestselling A Walk Across America series. He is the executive editor of Wilderness magazine; his work has appeared in the Paris Review and Good magazine; and his journey was covered by National Geographic.

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Product details

Hardcover: 336 pages

Publisher: Convergent Books; First Edition edition (October 2, 2018)

Language: English

ISBN-10: 9781524761387

ISBN-13: 978-1524761387

ASIN: 1524761389

Product Dimensions:

6.6 x 1.2 x 9.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

148 customer reviews

Amazon Best Sellers Rank:

#2,791 in Books (See Top 100 in Books)

I really wanted to love this book. I followed his travels on Instagram. I enjoyed his interviews. I love a good travelogue. I enjoyed the first half of the book, but by the second half I was ready for it to be done. Good for him for taking this journey, but he’s just not that interesting. All of the religious guilt and baggage was irritating. I just wanted him to let go of it and have some wild sex, and be free. His privilege was so apparent and he didn’t seem to recognize it. I appreciated his honesty, but I found myself wanting to shake him and tell him to give his money more freely, and let go of his judgement and guilt! I found his traveling companion so much more interesting than Jed, and I can’t say that I blame him for not returning. I would give it 3 stars overall, but it was a disappointment.

I feel like I need to preface this with an apology; I'm sorry I didn't find this book more intriguing. or interesting. I heard folks raving about this book. I found this to be a generally OK voyage interspersed with moments of excitement or interest. I suppose if you don't travel too much outside of the US, you'd find this to be quite enjoyable, and it was at times. Loved the end of the book, not becasue it was the end, but because of the content. It was an easy read over five days of commuting on the train to my job. Onto my next book.

As many other reviewers have stated, I really wanted to like this book but it just wasn't that great. I enjoyed the first few paragraphs but it quickly became redundant in content and skill. I think he went as deep as he was capable of but it wasn't brave or deep enough for me! It seems contrived. The writings of a naive 30 year old being guided into a career as an influencer. His deepest conversations about religion and sexuality were very surface and didn't strike me as deep at all. No sleeping self was shaken awake as far as I could tell. I think this book appeals to a certain group of hipster bloggers and influencers...which is great for his career but not a book I would rec to my circle of friends.

To Shake the Sleeping Self is a masterpiece. It's a road trip narrative, a story about a young man coming terms with his conservative upbringing and sexuality, and a disquieting look at our expectation toward travel.Approaching his 30th birthday with a sense of mounting dread, Jedidiah Jenkins decides to do something crazy and unexpected: Bike from Oregon to Patagonia. In spite of having zero biking experience, Jenkins embarks on his adventure with relish - anticipating a transformative personal and spiritual experience.But this is so much more than a book recounting a crazy adventure. Jenkins is gay, and sections of the book are reflections on his conservative Christian upbringing and its effects on his sexuality. Throughout the trip, Jenkins muses about his faith and the evolution of his spirituality. To be honest, these sections form the heart and soul of To Shake the Sleeping Self. This book asks hard questions about the nature of belief, morality, and family.Additionally, Jenkins does a wonderful job at not presenting his trip as some sort of "millennial spirit quest." He does not shy away from the unromantic and difficult aspects of biking through two continents. And he's honest about not having a dramatic revelation when he reaches his final destination.Also, To Shake the Sleeping Self contains one of the most quietly devastating final chapters I've ever read. This is a beautiful book that should appeal to the widest possible audience. Highly recommended.

Three and a half stars (if I could give halves). I couldn't put this book down, which is a tribute to how well it was written and its subject matter--a 16-month long bicycle trip from Oregon to Pategonia. Also, I really liked the way the author honestly struggled with his inner self. However, in the end, the journey doesn't really change him in any significant way. He enters our lives at the beginning of the book a half-convinced evangelical Christian struggling with sin, and leaves us at the end pretty much the same. Worth reading for the descriptions of the trip (I was pretty jealous and seized with wanderlust), but not something that will spiritually inspire.

He has said he wanted to write the book he needed in his twenties. Well, this book has been what I needed for mine. I ended up underlining, boxing, starring, and writing throughout my book. This is one I will come back to again and again. There are lines and paragraphs throughout that caused me to pause and nod in agreement. I laughed, I cried, I texted my friends to all buy it so we can spend hours discussing it. The pearls of wisdom are written in such a disarming way that you can approach them without feeling the confrontation of someone else's experience pushed onto you. This is one worth buying so you can visit it again in the future.

Why did the author even choose to make this a bicycle journey when he knew nothing or had never done a bicycle adventure? As it turns out he could have easily made this into a hitch-hiking/bus taking adventure and not lost anything. And to top it off rather than pick a more experienced partner he picks someone less prepared for this type of trip. I personally think his primary motive was how can I sell as many books as possible and the bike thing was all a rouse to make it sound like an adventure.Maybe his next book will be about climbing Mt. Everest and halfway up fly home for the holidays and then return to finish it. Or , run the Boston Marathon but take a bus up Heartbreak Hill? How can he justify this? Because “it's my journey, my life”. It just doesn't appeal to me when a bicycle adventure quickly evolves in a hitch hiking/bus riding/couch surfing/tinder social experiment.

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, by Philip Pullman

PDF Ebook , by Philip Pullman

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Product details

Print Length: 544 pages

Publisher: Knopf Books for Young Readers (October 3, 2019)

Publication Date: October 3, 2019

Sold by: Random House LLC

Language: English

ASIN: B07NV48TJD

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Amazon Best Sellers Rank:

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Download Ebook , by Rhys Bowen

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, by Rhys Bowen

Download Ebook , by Rhys Bowen

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Product details

File Size: 1106 KB

Print Length: 256 pages

Publisher: Minotaur Books (November 17, 2015)

Publication Date: November 17, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00WRE4AJO

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Amazon Best Sellers Rank:

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Former "female detective" Molly Murphy—now Molly Murphy Sullivan with a toddler son—is doing some early Christmas shopping with her young ward Bridie when they come upon a tiny blonde girl singing Christmas carols with the voice of an angel. Bridie is intrigued by the girl, and in the process of being kind to the child, they meet her brother, find out the children must earn money under the tyrannical rule of their "Aunt Hettie," and notice that both of the youngsters speak with cultured British accents. Molly can't understand for the life of her how these two ended up on the streets—but if you are familiar with the Molly Murphy mystery series you know she won't leave the situation alone, even though her husband Daniel, a newly-minted, unbribable police captain, warns her that they may be part of a confidence ring.While the usual Molly regulars appear, including Daniel's imperious mother and Molly's loving but eccentric neighbors Sid and Gus, Bowen has done this one one better by writing it in the plot fashion of a Victorian Christmas melodrama, with the primary characters, two well-bred children of evident aristocratic heritage, immediately in place. So don't be surprised when some of the villains of the piece appear Dickensian or sound like they come from a 1900 novel (this means you can pick out one of the bad guys just by how that person is described), all wrapped up in modern sensibility. Just sit back and enjoy the Victorian machinations and the evocative descriptions of Christmas in New York at the turn of the last century: slippery sidewalks, crossing sweepers, the new technology of mechanical figures in store Christmas display windows, mistletoe, buying a fresh Christmas tree from a streetcorner vendor, hot chestnuts, cold sleet, home-baked Christmas goodies (even from Sid and Gus!), charity, and a character losing hope...And of course there's the usual massive coincidence as well. Never mind: it's all about family and finding a home and making happiness out of the small things. This one has jingle bells upon it.

Life is treating Molly (Murphy) Sullivan pretty well: she and Daniel and young Liam have moved back into their house (rebuilt after the Mafia fire bombed it). Moreover, Daniel has had a quiet run in his police detective job, and Molly is imagining a wonderful family Christmas.But when she, Liam, and young Bridie go shopping they are halted by a beautiful voice singing hymns. When they stop. They find a very young girl whose clothing do little to protect her from the freeing weather. When they talk to her, offering money and a promise to return the next day with Bridie’s old clothing, they are startled to hear her speak to them in an upper-class English accent. When Molly hears her story, she is captured by her tale: dead father, mother who has brought them to the US, believing that something good awaits them. But then their mother disappeared, leaving them in a run down house, overseen by two cruel adults.So now Molly has two jobs—prepare for Christmas, find the children’s mother, and get the house ready for her mother-in-law. Then a constable runs up to their house and says that Daniel has been shot. So Molly goes to work. This is a worthy addition to this series. I particularly enjoy the way that the major characters evolve, learning from their actions. I read this in three days, and it would have been faster if I’d had my way.

Over the years I've become less enamored of Rhys Bowen's Molly Murphy series. The heroine has become less realistic in my view, and in this novel her behavior is so irresponsible that I wanted to slap her. I could barely bring my self to finish the novel. For example at the beginning of the novel Molly finds herself in a part of town with a high incidence of pickpockets. Despite her years as a detective and resident of New York City including some of the least savory neighborhoods, she seems to be clueless about the risk. That last statement could apply to her general behavior throughout the story. She shows a bizarre lack of street smarts and recklessness that could jeopardize her life and her child's, not to mention her mother-in-law's favor and approval (which she has worked very hard to earn over the course of this series). Having blessed her heroine with a child, the author now faces the dilemma of how to create a plausible detective story for the heroine which can give her the freedom to sleuth unimpeded while still satisfying the requirements of the era that she be a good mother. This story is not an example of a successful solution to the problem.I still greatly enjoy the Royal Spyness series and look forward to each new installment. But I'm am done with the Molly Murphy series for now.

A lovely Christmas mystery for Molly. As she and Bridie are walking down the street a small girl is singing Away in a Manger beautifully, touched Bridie undertakes her own little Christmas mission. Soon Molly discovers that the girl has an older brother and that they are living with a nasty woman they call aunt and that their mother has been missing since spring. Of course Molly seeks to find out what is going on. Daniel has reservations, but Sid and Gus are soon in on the mission. Finding their identity is only half the battle as getting them back to their rightful places leads Molly into much more dangerous waters than she had imagined. Very Christmas in New York theme so we get visits to FAO Schwartz and windows at Macy's plus Molly trying to get her Christmas chores in while tracking down her mystery.

This is a new volume in the life of Molly Murphy, and her husband, baby, mother-in-law and friends. The plot is well drawn and the new characters are appealing and sometime difficult and sometimes evil.It resolves her long held angst with her mother-in-law, it sets up new conflict with her NYPD Captain husbands role with the department and Tammany Hall and it gets two little waif angels re-united with their family. All of this done dashing around NYC and Long Island faster than Santa's sleigh. And, did I say it was at Christmas too.

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PDF Ebook Small Animal Clinical Pharmacology and Therapeutics

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Small Animal Clinical Pharmacology and Therapeutics

PDF Ebook Small Animal Clinical Pharmacology and Therapeutics

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Review

"Overall, this book is an excellent resource for small animal clinical academics and clinical year undergraduates." Ausralian Veterinary Journal, August 2012

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Product details

Paperback: 1348 pages

Publisher: Saunders; 2nd edition (April 26, 2011)

Language: English

ISBN-10: 0721605559

ISBN-13: 978-0721605555

Product Dimensions:

8 x 1.8 x 11 inches

Shipping Weight: 6.5 pounds (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,085,653 in Books (See Top 100 in Books)

I like this book overall but the kindle version left me disappointed. In the one chapter I looked at multiple tables were missing half of their content. For example half of table 29-1 is missing. Consider other versions if you don't want missing information.

Love this book!

I bought this for a course in vet school and picked it up only a handful of times. It is written in long form, no bullet points or short summaries. I would recommend it for someone in an internal medicine residency or pursuing further studies in clinical pharmacology. I would not recommend this for the beginning vet student or practitioner. The information isn't bad, but beyond what is useful for day-to-day practice, and not readily accessible.

This book is comprehensive for the practitioner. Previous reviews have commented on it being too advanced for students, which is particularly disagreeable; this text has both rudimentary concepts as well as advanced pharmacological considerations useful for general practitioners, interns, residents, and specialists alike. There are not many "pearls" or "bullet-point" reviews within the text, but this book is not a CliffsNotes for veterinary pharmacology... it is, quite possibly, the standard of knowledge for veterinary pharmacology. In addition, there are several charts within the book that takes much of the guesswork out of daily clinical pharmacologic decision making.The copies (plural) of this book are dog-eared and used multiple times daily in my practice amongst myself and other practitioners who want to practice comprehensive, evidence-based medicine. No veterinary practice and (especially) no veterinary ICU should go without this reference for learning and practice.

the book is just as difficult to follow as her lectures. it's just all over the place. also full of contradictions.

Small Animal Clinical Pharmacology and Therapeutics PDF
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Small Animal Clinical Pharmacology and Therapeutics PDF

Small Animal Clinical Pharmacology and Therapeutics PDF

Small Animal Clinical Pharmacology and Therapeutics PDF

Small Animal Clinical Pharmacology and Therapeutics PDF